[Intro: 50 Cent]
Hey Em, you know you my favorite white boy, right? (Hahaha)
[Chorus: 50 Cent]
I been patiently waitin' for a track to explode on (Yeah)
You can stunt if you want and your ass'll get rolled on (It's 50)
And it feels like my flow's been hot for so long (Yeah)
If you thinkin' I'ma fuckin' fall off, you're so wrong (It's 50)
[Verse 1: 50 Cent]
I'm innocent in my head, like a baby born dead
Destination heaven, sit and politic with passengers from 9/11 (Yeah)
The Lord's blessings leave me lyrically inclined (Uh-huh)
Shit, I ain't even got to try to shine (Woo)
God's the seamstress that tailor-fitted my pain
I got scriptures in my brain, I could spit at your dame
Straight out the good book, look, niggas is shook
50 fear no man, warrior, swing swords like Conan
Picture me, pen in hand, writin' lines knowin' The Source 'll quote it
When I die, they'll read this and say a genius wrote it
I grew up without my pops, should that make me bitter?
I caught cases, I copped out, does that make me a quitter?
In this white man's world, I'm similar to a squirrel
Lookin' for a slut with a nice butt to get a nut
If I get shot today, my phone'll stop ringin' again
These industry niggas ain't friends, they know how to pretend
[Chorus: 50 Cent]
I been patiently waitin' for a track to explode on (Yeah)
You can stunt if you want and your ass'll get rolled on (It's 50)
And it feels like my flow's been hot for so long (Yeah)
If you thinkin' I'ma fuckin' fall off, you're so wrong (It's 50)
I been patiently waitin' for a track to explode on (Yeah)
You can stunt if you want and your ass'll get rolled on (It's 50)
And it feels like my flow's been hot for so long (Yeah)
If you thinkin' I'ma fuckin' fall off, you're so wrong (It's 50)
[Post-Chorus: Eminem]
You've been patiently waitin' to make it through all the hatin'
Debatin' whether or not you can even weather the storm
And as you lay on the table, they operatin' to save you
It's like an angel came to you, sent from the heavens above
[Verse 2: Eminem]
They think they're crazy, but they ain't crazy, let's face it, shit, basically
They're just playin' sick, they ain't shit, they ain't sayin' shit, spray 'em, 50
A to the K, get in the way, I'll bring Dre and them with me
And turn this day into fuckin' mayhem, you stayin' with me?
Don't let me lose you, I'm not tryna confuse you
When I let loose with this Uzi and just shoot through your Isuzu
You get the message? Am I gettin' through to you?
You know what's comin'? You motherfuckers don't even know, do you?
Take some Big and some Pac and you mix 'em up in a pot
Sprinkle a little Big L on top, what the fuck do you got?
You got the realest and illest killers tied up in a knot
The juggernauts of this rap shit, like it or not
It's like a fight to the top just to see who'd die for the spot
You put your life in this, nothin' like survivin' a shot
Y'all know what time it is, soon as 50 signs on this dot
Shit, what you know about death threats? 'Cause I get a lot
Shady Records was eighty seconds away from the towers
Some cowards fucked with the wrong building, they meant to hit ours
Better evacuate all children (Woo), it's nuclear showers
There's nothin' spookier, you're now about to witness the power of fuckin' 50
[Chorus: 50 Cent]
I been patiently waitin' for a track to explode on (Yeah)
You can stunt if you want and your ass'll get rolled on (It's 50)
And it feels like my flow's been hot for so long (Yeah)
If you thinkin' I'ma fuckin' fall off, you're so wrong (It's 50)
[Bridge: 50 Cent]
If the gun squad hearin' all the shots go off
See a nigga laid out with his fuckin' top blown off
It's 50, man, that wasn't 50, don't holla my name
[Verse 3: 50 Cent]
You know you shouldn't throw stones if you live in a glass house (Yeah)
And if you got a glass jaw, you should watch your mouth
'Cause I'll break your face (Uh-huh)
Have your ass runnin', mumblin' to the jake
You goin' against me, dawg, you're makin' a mistake
I'll split ya, leave you lookin' like the Michael Jackson jackets with all them zippers
I'm the boss on this boat, you can call me skipper (Uh-huh)
The way I turn the money over, you should call me flipper (Flipper)
Your bitch a regular bitch, you callin' her wifey
I fucked and feed her fast food, you keepin' her icy
I'm down to sell records, but not my soul
Snoop said this in '94, "We don't love them hoes"
I got pennies for my thoughts, now I'm rich
See the twenties spinnin' lookin' mean on the 6
Niggas wearin' flags 'cause the colors match they clothes
They get caught in the wrong hood and filled up with holes, motherfucker
[Chorus: 50 Cent]
I been patiently waitin' for a track to explode on (Yeah)
You can stunt if you want and your ass'll get rolled on (It's 50)
And it feels like my flow's been hot for so long (Yeah)
If you thinkin' I'ma fuckin' fall off, you're so wrong (It's 50)
I been patiently waitin' for a track to explode on (Yeah)
You can stunt if you want and your ass'll get rolled on (It's 50)
And it feels like my flow's been hot for so long (Yeah)
If you thinkin' I'ma fuckin' fall off, you're so wrong (It's 50)
The first line is a common english idiom against hipocricy, meaning that a small amount of criticism in return could damage the critic harsher than the person being criticised.
The second line is referring to how 50 Cent was shot in 9 times (including the jaw) in 2000 and lived, basically showing off how tough he is and how his jaw isn’t “made of glass”.
These two opening couplets draw a parallel between 50 Cent’s life and his career. Just as 50 Cent survived 9 shots (with the help of modern medicine), 50 Cent’s rap career survived early turmoil and hate (with the help of noted angel, Eminem).
In the music video for “In Da Club” one can see 50 Cent being operated on a table while Eminem and Dr. Dre are looking over him.
The phone stopped ringing once already
On Patiently Waiting, 50 Cent is no longer imagining what being shot might do to his career. He is speaking from experience.
“If I get shot today, my phone’ll stop ringin' again”
The key word is “again.” In May 2000, before his planned debut album Power of the Dollar could be released, 50 was shot nine times outside his grandmother’s home in Queens. After the shooting, Columbia Records shelved his album, canceled a planned video shoot and dropped him from the label.
In a January 2003 profile, Los Angeles Times reported that 50 believed Columbia no longer wanted to work with him because the shooting made him too dangerous for the label to be associated with. He later put the loss in brutally clear terms:
The bullets nearly killed him physically; losing the record deal nearly killed his career.
From ignored calls to Eminem and Dr. Dre calling
After Columbia dropped him, 50 recorded new music independently and released it through mixtapes, but major-label executives showed little interest. That changed when his music reached Eminem, who played it for Dr. Dre.
Once the industry learned that Eminem and Dre wanted to sign him, 50 said labels suddenly began contacting him again. That history gives the image of the ringing phone a second meaning:
- When he was considered dangerous and damaged: the industry disappeared.
- When Eminem and Dre validated him: everybody wanted to call.
-
If he were shot again: he expects the same people to disappear again.
The line therefore exposes the insecurity underneath his new position. Even while recording Get Rich or Die Tryin' with two of the most powerful figures in rap behind him, 50 still understands industry attention as conditional: the phone rings while he is profitable, not because anybody genuinely cares whether he survives.
“These industry niggas ain’t friends”
The second line rejects the idea that label executives, managers or industry figures are loyal to him personally. To 50, their friendliness is a performance tied to his current value.
They did not protect him when he was shot.
They did not stand beside him when his album was shelved.
They only returned once his comeback looked commercially valuable.
This makes the verse a direct thematic companion to Many Men (Wish Death) from the same album. In Many Men, 50 focuses on enemies who wanted him dead; here, he focuses on the industry people who may smile around him while being prepared to abandon him the moment violence threatens their business.
Why it matters on Patiently Waiting
The title Patiently Waiting refers to 50 having waited years for the moment he was finally being given alongside Eminem and Dr. Dre. Yet instead of celebrating that arrival without hesitation, he immediately remembers how easily the same industry had written him off before.
That is the tension at the center of early 50 Cent:
He has finally made it into the room, but he does not mistake being useful for being loved.
A subtle diss is incorproated here: you drive an Isuzu (not exactly balling!). This also alludes to The Notorious B.I.G.’s “Gimme The Loot” – in it, him and his friend see people in an Isuzu and decide to rob them, while shooting through the car.
A widely held belief is that since babies are not mentally developed they are not held accountable for being born into sin as they’re not aware of that fact and can’t separate good from evil. Babies are thus innocent and go straight to heaven.
Because he just made it to heaven in the previous line, he will now be able to sit around and chitchat with passengers from the 9/11 attacks. 50 Cent seems to be assuming a doctrine of situational salvation here, where terrorist victims get a free pass to heaven. It’s similar to the rhetoric used to recruit suicide bombers, except instead of boning 72 virgins forever, you get to talk politics with a large heavily tattooed black dude with a slight speech impediment.
This is a pun on “ICEE”, a slushie often sold at gas stations which is a type of fast food.
A skipper is a person who has command of a boat or sea-craft or tug, more or less equivalent to “captain in charge aboard ship.”
Flipper is a 1996 film about a dolphin, tying in with the aquatic theme. To “flip” is to resell something (presumably drugs in this case) for a profit. 50 Cent claims he is the ultimate king of this.

As he had said the previous year in the chorus of D12’s song “Rap Game”:
This rap game, this rap game
I ain’t sellin' my soul for this rap game
50 Cent has a criminal past, is capable of commiting crimes, so due to his reputation people automatically assume it’s got to be 50 Cent. This is not always the case and he would prefer if people stopped putting his name on acts he never committed. He later dedicated a whole song to this concept with “I Don’t Know Officer.”

This couplet serves as 50 Cent’s definitive manifesto on career longevity versus industry blackballing. When Curtis Jackson claims his flow has been “hot for so long,” he is engaging in a sophisticated historical revision of his own career timeline.
While the mainstream public saw 50 as a “newcomer” in 2003, this is a calculated reference to his pre-Interscope mixtape tenure. Following the infamous 2000 shooting incident and his subsequent release from Columbia Records, sparked by the controversial Ghetto Qu'ran (Forgive Me), 50 was effectively “blacklisted” from the major label system. His “hot” flow refers to the underground dominance established through the G-Unit mixtape circuit, specifically projects like 50 Cent Is the Future and No Mercy, No Fear, which fundamentally altered the distribution model of hip-hop.
The second line is a preemptive strike against the “flash-in-the-pan” narrative. 50 Cent utilizes a subtractive logic: he isn’t just saying he will succeed; he is stating that the opposition’s prediction of his “fall off” is a mathematical impossibility. This sentiment is sonically and lyrically anchored in his survivalist ethos, a theme explored more explicitly on Many Men (Wish Death). Standing alongside Eminem on this track, 50 effectively declares himself the new standard-bearer of the Shady/Aftermath era, a prophecy he fulfilled as seen on later tracks like I’m The Man.
People are putting on fake personas, pretending to be crazy when they aren’t. Eminem sees right through the facade and exposes the frauds. Additionally, in rap the terms “sick” and “crazy” means “good” and “talented.” Thefore, if they’re “playing sick” it means they aren’t spitting bars quite like Eminem and 50 Cent are. They’re not saying anything worthwhile, so Eminem’s going to gather the whole Aftermath crew, take out any opponent that gets in their way, then proceed to take over the whole rap game.

The absent father figure is everywhere in rap, best represented by Snoop Dogg’s line in Master P’s “Mama Raised Me”:
It’s probably Pop’s fault
How I ended up gangbanging, crackslanging
Not giving a fuck
Before releasing his debut album Get Rich or Die Tryin’ in 2003, 50 Cent spent several years preparing for his rap career by writing lyrics daily, practicing freestyling, and learning song structure and recording techniques under the mentorship of Jam Master Jay.
He recorded early demos, including an unreleased album Power of the Dollar, and gained experience in professional studios.
After surviving a near-fatal shooting in 2000, he used his recovery time to rebuild both physically and mentally, coming back stronger with a clear focus on his music.
He then built a major underground following by flooding the streets with mixtapes like 50 Cent Is the Future and Guess Who’s Back, often rapping over popular beats to showcase his skills.
Throughout this period, he also studied successful artists, developed his image, and built industry connections, which ultimately led to him being discovered and signed by Eminem and Dr. Dre.

“White Man'z World” is the title of a 2Pac song.
Squirrels love nuts, but 50 Cent is a different kind of squirrel on the pursuit of a different kind of nut. To “nut” in this context is to ejaculate.

The daring “slut/butt/nut” rhyme was pioneered by D-12’s Bizarre on “Purple Pills.” R&B singer Oran “Juice” Jones also famously uses the squirrel-and-nut analogy on his 1986 hit “The Rain.”
50 Cent will cut you up so many times that your appearance will be similar to Michael Jackson’s jackets because of all your cuts and stitches. Furthermore, a costume with a zipper is also a bodybag, used to conceal corpses.

The rhyme scheme here is noteworthy. The first line ends with the words “nuclear showers,” and Eminem rhymes both words, but in separate lines:
Better evacuate all children, it’s nuclear showers
There’s nothing spookier, you now about to witness the power
It’s functions as a multisyllabic rhyme where “nuclear shower”* is rhymed with “spookier, you now a-” and “power,” an unorthodox yet brilliant approach.
50 Cent prides himself on the academic-like accuracy of his sources. Snoop Dogg’s “Gin and Juice” came out on Doggystyle in November 1993, though the single was released in January 1994. It contained the classic line(s):
So turn out the lights and close the door
But (but what?) we don’t love them hoes

50 Cent signed the Shady/Aftermath/Interscope deal in 2002, a year prior to his debut, and that skyrocketed him into major stardom.
There’s no doubt that 50 shines like a star. He believes it is the Lord’s will for him to be such a lyrical genius – even when he’s not trying he’s spitting hot bars.
While he doesn’t make his religious beliefs clear, 50 Cent does wear a cross on his necklace, and has credited God with saving him after being shot 9 times.

“Conan” refers to a fictional sword and sorcery hero “Conan The Barbarian”

In 2002, it was rumored that Al-Qaeda sent Eminem death threats after he dressed up as Osama Bin Laden in the music video for “Without Me.” During this period Eminem would occasionally reference how the offices for his record company were located near the Twin Towers. 50 Cent also mentioned the 9/11 incident in the beginning of his first verse.

Acquitted means a person has been formally found not guilty of a criminal charge by a judge or jury. Word play
Wearing a flag is hanging a bandanna out of your pants' pockets to represent gang affiliation (the two most well-known colors being blue on the left side for Crips and red on the right side for Bloods). 50 Cent calls out fake gangsters who base their choice of bandannas on whether it goes with their outfits, not whether it represents their gang.
This is a two-layered diss: not only are they pretending to be gangsters when they’re not, but their concern with color coordination is both vain and not exactly tough. The wearing of bandanas for the purpose of matching clothes shows an ignorance of street gang culture, something that 50 Cent knows plenty about.

This line is a bold piece of meta-commentary. By using the word “genius,” 50 Cent predicts that his lyrics will eventually be analyzed with the same academic respect as classical poetry.
By referencing his eventual death, he aligns himself with legends like 2Pac and The Notorious B.I.G., whose “street poetry” only received full intellectual recognition posthumously.

Ultimately, 50 is rejecting the “thug” label and asserting his status as a master storyteller, a claim backed by the narrative depth of songs like Many Men (Wish Death).
50 is saying here that God was the one who came up with his way of life, unclear if it is meant to be thanking them or if he is hating on them.
Tailor-Fitted means for something to be custom-made for one person in particular. And a seamstress is the person who makes said custom wear.

Following his famous shooting in 2000, only two months prior to the release of his originally scheduled debut studio album Power Of The Dollar, 50 Cent was dropped from his publishing deal with Columbia Records. As a result he was blacklisted by the entire recording industry due to the negative energy surrounding Jackson at the time, and was forced to record new mixtapes. It would be three years until he would be given an opportunity by a major record label again.
His patience finally paid off, and now he’s not letting anyone get in his way. He spoke on this on the Travis Smiley Show in 2009:
I thought I was ready in ‘97 and I didn’t have a major record company marketing and promoting my project till 2003. For that time period I had to run on my own energy, I had to convince myself that I’m gonna make it regardless to how people felt at that time.

50 owes Em for the beat, which Em created. More specifically, 50 was impressed with the flourishes that Em added after 50 spit his parts, and the melody during this intro was one of those final touches.
50 talks about the intro at the beginning of this Magnum Opus video by Complex:
And Em goes into far more detail about making the beat in this “Behind the Boards” interview that aired on Shade45 in 2007:
Interviewer: Once you hear the words you might get a whole nother bunch of ideas.
Eminem: Yeah, which is exactly what happened with “Patiently Waiting” off Get Rich Or Die Tryin’. I had sent 50 just the basic— I don’t think Fif understood exactly how I produced the beats. And this was from just watching Dre. Dre would have the gist of the beat and then he would add most of the shit after somebody laid a verse or whatever. And that’s kind of how I work, but I was trying to explain to him it’s a skeleton beat. I believe I told Fif, like, I kept calling him, like “Yo, did you write to that yet? Man, please write to that. I’m telling you that could be crazy.”
He’s only hearing the bare bones of it.
All he heard was just the drums and the [hums melody]. And then when he put a verse and the chorus, he came to Detroit and he played it for me, and I believe I sent it back. I had it— There was a little intro on it that [hums intro]. Did that and then when he came to Detroit he had the hook, two verses, and he had a spot for me to— No, I don’t think he had a spot for me. But that was the track that I knew that I’d want to get on. And as soon as I heard the track and the way how […] he started off smooth and then it got aggressive like “I’ve been patiently waiting for a track to explode on you can stunt if you want”. It got more aggressive and I was like “oh shit!” Like, I didn’t even hear that melody in that beat. I don’t know how the fuck he pulled that melody out of that beat, but he did. And I was just like “oh my god, this is… okay now I got a idea. Now I got something to work with. Now we can add more music in it.” And once the whole song was done to me that was that was the craziest song to me that me and Fif did together.
50 Cent also owes Em for providing him with this stellar guest verse, a favor which he later returned on “Never Enough.”
Em notes that in order to be a rap great, you have to dedicate your entire life to it without fearing to lose your life in the process. Even if that means taking a bullet or two, surviving those gunshots will make success seem even sweeter. 50 Cent also just happens to have literally survived an infamous shooting, and only came back stronger afterwards.
Not an overnight success
On the chorus of Patiently Waiting, 50 Cent rejects the idea that his arrival alongside Eminem and Dr. Dre is a temporary moment of hype.
“And it feels like my flow’s been hot for so long”
The line is both a boast and a summary of the years he spent waiting for the industry to catch up to him. Before Get Rich or Die Tryin', 50 had already attracted attention with How to Rob in 1999, a darkly comic record where he imagined robbing established rappers and R&B stars. The song became popular in New York clubs and on rap radio, helping establish him as an underground name before he had a commercially released album.
His original Columbia debut, Power of the Dollar, was then shelved after he was shot nine times in 2000. Rather than disappearing, 50 returned through records such as Guess Who’s Back? and G-Unit’s 50 Cent Is the Future, the mixtape-era material that rebuilt his reputation and eventually reached Eminem.
In a January 2003 profile published shortly before Get Rich or Die Tryin' arrived, Los Angeles Times reported that 50 had already been popular on the club scene for years. In the same article, Steve Stoute described him plainly:
“He’s got incredible flow.”
That real-life praise gives “my flow’s been hot for so long” extra weight: 50 is not announcing that he has suddenly become good because Eminem signed him. He is claiming that he was already undeniable, and that he had simply been forced to wait for the right platform.
“If you thinkin' I'ma fuckin' fall off, you’re so wrong”
The phrase “fall off” means to lose momentum, relevance or musical quality after becoming successful. For 50, however, the wording has a more personal edge because his career had already appeared to collapse once.
His trajectory can be read as a sequence of rises and attempted endings:
1. How to Rob creates underground buzz.
2. Columbia prepares Power of the Dollar as his major-label arrival.
3. He is shot nine times, and Columbia drops him.
4. He rebuilds through mixtapes rather than disappearing.
5. Eminem and Dr. Dre sign him, putting him in position for his real breakthrough.
This means the line is not merely aimed at critics who expect a new rapper to fade away. It is directed at an industry that had already treated him as finished after the shooting. According to the same Los Angeles Times profile, labels showed little interest in his post-shooting material until word spread that Eminem and Dre wanted him; only then did the phone start ringing again.
The industry had already watched 50 fall once.
The chorus is his claim that they will not get to watch it happen again.
Why this is the perfect hook for Patiently Waiting
The title does not mean 50 has been patiently waiting to become talented. It means he has been waiting for the right song, the right backing and the right moment to make the talent impossible to ignore.
That is why the chorus works so well alongside Eminem’s feature. Eminem is not presented as the person who created 50’s ability; he is the industry force finally giving an already-hot rapper the stage he had been denied.
The ad-lib “It’s 50” functions almost like a signature stamped onto that argument: after years of setbacks, label abandonment and underground work, the name everybody is now hearing is the same name they should have recognized all along.
Back in the late 90´s, early 2000´s, oversized “Spinner Rims” were a must have in the hip hop scene. Fifty´s 20" spinning rims look great on the 6. 6 is a mystery to me. Maybe BMW M6?
To me, it sounds like he says Mercedes. This would make some sense since he owned a MB S500, as also seen in the movie.
From its founding in 1988, The Source has grown to be one of the most authoritative magazines on hip hop. The magazine features a prestigious section called Quotables, in which the dopest rhyme of the month is quoted.

50 Cent is comparing his lyrics to scriptures, powerful, meaningful, and memorized like verses from a holy book (the “good book”).
He’s saying his rhymes are so sharp and impactful that he can impress or dominate anyone with them, even someone’s girlfriend (“your dame”).
The line “n***** is shook” implies that people are intimidated or in awe of his lyrical skill and intensity. Overall, he’s boasting about the depth, precision, and fear his words can generate.
The Notorious B.I.G., 2Pac and Big L are all deceased rappers who are often brought up when discussing the greatest rappers of all time. Mixing these three individuals' talents together would obviously result in a monster and they’d simply be the illest regardless of how you may feel about it.
A “juggernaut” is a term to describe a literal or metaphorical force regarded as unstoppable. The juggernaut line was later sampled by Slaughterhouse) in “Juggernauts.”
The lines were also later sampled in “What Do You Got” and referenced in ScHoolboy Q & A$AP Rocky’s “Brand New Guy.”