Colleen Dow (they/them)⁠⁠ knows the value of collaboration. After all, their debut album with Thank You, I’m Sorry was named I’m Glad We’re Friends, an evergreen reference to the Minneapolis band’s tight-knit camaraderie and in-universe narratives. Inspired by similar alone-but-together experiments like The Postal Service and the electronic longing of Now, Now’s various incarnations, their solo work branches away from syrupy indie-punk towards the iridescence of pop and synth-drenched stardust. Dow’s internal critic continues to hold court.