Holding on my throat at a clamp
Tempted but I know that I can't
A superseded
Unit of measurement
An arterial spray
And it won't go away
I'm feeling
Cold and presiding
Kids are suiciding
In a cannibal state
Inatteignable, so know this
Holding toll and tame and tock your time
It's so impeding
Built to contain all this spite
Declining indefinitely
Sippin on e. coli and chasing it with gin, it's all managed
9 to 5
And you're breeding alone
Guttersnipe
Holding toll and tame and tock your timе
It's so impeding
Built to contain all this spite
Declining indеfinitely
The invocation of Sotomayor (likely referencing U.S. Supreme Court Justice Sonia Sotomayor) places a figure of authority at the center of the speaker’s conflict, representing a system that exerts control or judgment. The image of having their throat clamped suggests a feeling of suffocation, perhaps pointing to societal or institutional oppression, where the speaker’s voice is silenced or restricted.
The phrase “cut into my attire” can be interpreted as a metaphor for the way societal expectations (represented by the traditional 9-to-5 work structure) strip away the speaker’s identity or individuality. The image of being “cut” implies a painful conformity to the demands of modern life. The mention of “breeding alone” points to isolation within this system—perhaps a critique of both the loneliness and the relentless productivity expected in a capitalist society.
These lines combine violent imagery with modern, almost mundane elements. The “microwave station” could symbolize the sterile, industrialized world that accelerates life, while the references to stab wounds and stitches depict a visceral, bodily pain that refuses to heal. The repetition of violent imagery throughout the song suggests an ongoing struggle with trauma that remains unresolved.
A guttersnipe traditionally refers to a street urchin or someone living on the margins of society. Here, it may reflect the speaker’s self-perception or the way they view their role in a broken world. The line “holding toll and tame” suggests that the speaker is forced to manage time and energy, as if their very existence is reduced to a balancing act of survival. The use of “tame” and “tock” highlights the control that time (or societal pressures) has over them, reducing them to mechanical, repetitive actions.
The speaker seems to be grappling with a desire to act or speak out but is restrained by circumstances. The tension between temptation and self-restraint suggests inner conflict, where the speaker feels compelled but trapped, unable to break free from the constraints imposed on them.
The term “anticonstant” seems invented, but could be interpreted as the opposite of stability—something chaotic or constantly changing. Paired with “confabulation” (a psychological term for creating false memories), it suggests a struggle with distorted reality or an inability to find consistency in life. The speaker may be grasping at fragments of truth or memory, but nothing feels stable or reliable.
This line combines physical discomfort (the tearing out of braces) with a grossly self-destructive act of consuming contaminants like E. coli. It illustrates a sense of control over destruction—doing harm to oneself in a controlled way, but with a hint of grim irony (“it’s all managed”). The speaker seems to be embracing their own deterioration with a sense of dark resignation.