[Verse 1]
When you're tired of hating me
[Pre-Chorus]
You're stuck to the failures of your life
Marred with the sorrows of your strife
[Chorus]
And time it waits for no one
And soon you are forgotten
[Verse 2]
When there's trouble admitting
That you have been wrong all along
When the words you have written down
Reads "Everything is gone"
[Pre-Chorus]
You're stuck to the failures of your life
Marred with the sorrows of your strife
[Chorus]
A whisper within a sigh , mmm
[Verse 3]
When you smother your friendships
And take much more than you need
When you can't keep a secret to yourself
And points to the source of the deed
[Pre-Chorus]
You're stuck to the failures of your life
Marred with the sorrows of your strife
[Bridge]
And you can never find your satisfaction
When you can't outgrow your false distractions
You know your soul is weighed on the silver scale
[Instrumental Outro]
These accusations reiterate the speaker’s judgments about the listener’s wasted life. When they are tired of waiting, and no longer want to hide, they are trapped to the present by the ghost of the past.
The usage of the second person(“you’re”, “your”, etc.) in this section, along with the repetition of the same idea tortuously hammers in the feeling of inescapable doom.
The speaker softly condescends upon someone who hates them, regarding such loathing as a waste of time. According to them, when the listener gets past their petty prejudgments, they are in for a shocking surprise.
You will die eventually, but no one will care.
In the end, no one remembers your death.
The usage of the word “hide” is something of a callback to the notion of time as a constantly approaching force. Hiding is an analogy for squandering one’s life by “running” from time.
The lyrics to this entire song are addressing a listener, but actually serve to explain the listener’s situation in the words of a somewhat uncaring outside observer. The chorus uses this to highlight the ironic selfishness of the listener, who regards time as an evil force of destruction, despite the fact that it nurtures everyone around them in the same way it destroys the listener. Life is cyclic in nature, and death is only an end from the perspective of the individual who is dying.
In a variation on the ancient Egyptian myth, Opeth alludes to a soul being weighed. In Egyptian mythology, this is analogous to the weighing of one’s heart against the feather of truth. This weighing was said to be performed by Osiris, the judge of the dead, and concluded one’s worthiness to proceed to the afterlife.

Traditionally, this scale was said to be made of gold. The decision to reference silver may be to separate the analogy from the Egyptian afterlife. Egyptian mythology depicts the golden scale and feather of truth, opening the path to a pleasant afterlife. Opeth conversely depicts the “silver scale of deceit and lies”. This strongly implies that silver was picked as an opposite to gold. Death, according to this metaphor, damns one to be judged for their failures, not rewarded for their deeds.
The opening lines immediately introduce the themes of time’s eternal passage and of feeling like life is escaping. Time is personified here, as well as later in the song, painting it as an inescapable hunter.
These lines are very reminiscent of Pink Floyd’s “Time” from The Dark Side of the Moon, which addresses the theme of time “ticking away”
And then one day you find ten years have got behind you
No one told you when to run, you missed the starting gun

This metaphor illustrates the insignificance of the individual and of humanity as a whole. Each person is a minor perturbation within an only slightly larger phenomenon, infinitely subordinate to the breadth of the universe.
Taking your friends for granted and using them for your own personal benefits without returning the favor.