The Leanover - Intellectual

If I lose you if I lose you if I lose you if I lose you

In the huh, the huh, the huh, mmm

If I, if I, if I, if I, if I

B-b-baby, baby

G G G, so G G G, you you you

If I lose you

If I lose you in the huh, the huh

If I lose you in the street

If I lose you in the street at night

If I lose you in the street

If I lose, don't be sad

If I lose you in the street

If I lose you in the street, hey

If I lose you in the street

G G come here, come in, c'mere

Feel for you

Kiss me, break my mind, close the door

Black steel, break my mind, close the door

Black steel, the sight of you falling out

The sight of you

If I lose you in the street, six

If I lose you in the street

I say, I say, I say, I say, I say, I say

Wassup? Wassup with you?

Wassup with your friends?

High heels, high heels

Oh I - MBV, MBV, MBV, MBV, MBV, more MBV, hi-fi

I wanna see you

Stand up, stand up, stand up

In the high heels

Don't trade, don't don't I don't trade

May I?

May I walk with you?

May I walk with you? Uh-oh

And the time ticks slightly back

And the time - change is recorded at the automat

San Francisco mixed with a uh-oh

And the time ticks slightly back

And the time it changes, shhh!

Emotional Chi, emotional Chi

Come on baby, don't fuss

And the time ticks slightly back

Say what? Say what?

Eh eh eh eh eh eh eh eh

And the time ticks slightly back

Questions - say what?

I like you mostly late at night

Hold tight, hold tight, hold tight with a tight

Budokan warp, Budokan warp

I warp

B B B B B freestyle

I like you mostly late at night

Break my mind, break my mind

And the time ticks slightly back

Raining in my room, sweet and sleepy

Wassup? Wassup?

I can remember, I can remember four

We can, we can, we can three

Keep us together, keep us together

Keep up, together

And the time ticks slightly back

Forever

You can be me, swim

The face of you

Ok the face, we can take it back

I can take you to the hills

Days like television

D-d-d-d-d-days like television

Face of you, the face of you

And the time ticks slightly back

The face of you, for, that's all

Should I wait for you, SFL?

Should I wait for you?

Come on, should I?

Never forget who you are

There's no reason

D-d-d-d-d-d-d- girls

There's no reason, wassup?

Responsibility-free

And the time ticks slightly back

And the time

Responsibility, girls

D-d-d-d- break

Wassup?

I don't trade

Wassup?

I don't trade

Yeah, yeah

I don't trade

Wassup?

Contact, contact, just sweet, remember, contact

Boom, contact, contact

That's the way, your first, your last, your only contact

Uh-oh, uh-oh, contact

The first, the last, the only

Bounce, twirl

I don't trade

Yeah, yeah

And the time ticks slightly back

Je danse, je suis

And the time ticks slightly back

Contact

Je suis, je danse

D-d-d-d with a bit of freestyle

And the time ticks slightly back

Should I?

And the time ticks slightly back

Contact

He's the shaker, baby

Contact

He's the shaker, baby

And the time ticks slightly back

Twelve o'clock

He's the shaker, baby

Contact, swallow

Twelve o'clock, one o'clock, no pretending

Virginia, looking at it last night

Virginia plain

Recorded at the power plant, yeah

Vacant together, vacant together, eyes vacant

He's the shaker, baby

No pretending

Contact, you and me

Wassup? Contact

He's the shaker

Watch him, I can't stand the way I don't like it

Contact

He's the shaker, baby

I can't stand the way I don't like it

Contact

I don't like twelve o'clock, either

Contact

Shake it, don't go vacant on me

Don't go vacant on me

Waiting, contact, shaking, baby

He's the shaker, baby

Watch him, contact, shake it, baby

He's the shaker, baby

Don't go vacant, baby

He's the shaker, baby

I can't stand the rain, I don't like it at all