Released on August 30, 2019

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[Intro]

Suck your, suck your, suck your, mum

Suck your mum, suck your mum

Yeah I said it, suck your mum


[Chorus]

Suck your mother and die

If you think niggas just love these cuffs and riots

A million footsteps to make it here, woah, oh, oh

It ain't easy to just dry four hundred tears

Different whip, different chain, different bracelet

Different feel but we still take the same shit

Get your paper but you don't get complacent

If we don't hold each other down, we won't make it

If we don't-


[Verse 1]

That might be the hook I could retire after

Not like when Tyson sparks ya

Like twisted fire starter

I worship bars and I'll die a martyr

I got my Nikes from Pardna

I had the snidest Pradas

The O.E was selling war, that shit to the grimiest dances

Eediat tell me 'bout grime ta rahtid

Like my stripes ain't Sharpie'd

On my shoulder like I ain't a soldier in this rarse ting, crarses

Left a boy alone, forget some pussy and some plantain

'Cause of the sweet colour of our skin

They wan throw banana skins at John Barnes's

They tell us to go fuckin' back to our own country

But they won't even give us back our own countries

Every entrance to a door, has a footprint left by the ones that came before

Lets talk about the day the wind was rushed up on the shore

They promised us so much and then they left us to be poor

Need superhero capes for the stuff our mum's had to endure

Just heading to the store, no blacks, no Irish and no dogs

The system's taking course and the most powerful are fraud

They trap us in estates , won't even educate us boys

And wonder why we break the law

This ain't for the culture, it's for the connoisseur

This ain't for the club, it's for the mandem on the curb

They're tryna take away our art, how we supposed to earn?

And express what's in our heart, I beg you


[Interlude]

Suck your mother and die


[Verse 2]

Look, yeah

We here, we here

Landowner got keys here

Vroom vroom in MB's here

Pure par to get keep here

Jerk man 'pon the streets ere

Fish fry and get steam ere

Rice with our gungo peas ere

Great grandkids are making G's ere

We fly back to spend G's there

Nuff lies told when we reach ere

Dem meet the queen but we kings ere

Got London tun up

Bare man a wear Clerks and collars

We bring light but darkness follows

So we cry then laugh tomorrow

Dry your puddles

Mic in the basement

Had a voice then we pirate the station

No choice but to fly in the face of

Bias and hatred

Grindin away til 9 for the pay checks

Mindful, the game is spiteful and heinous

But my generation, times are a changing

Die if I cave in, trying our patience

Lying so blatant, gentrifying our places

But minds are awakening, tightening up laces

To fight in the AM

But at night, we're raving

At night, we're out raving

Ice on the brain ting

Rewind, come again ting

Fire is blazing, rewind come again ting

(Suck your mother and die)

Selecta


[Outro]

If you think niggas just love these drugs and crime

A million footsteps to make it here, woah, oh, oh

It ain't easy to just dry four hundred tears

Different whip, different chain, different bracelet

Different feel but we still take the same shit

Get your paper but you don't get complacent

If we don't hold each other down, we won't make it

If we don't hold each other down, we won't make it

Different whip, different chain, different bracelet

In the field but we still take the same shit

If we don't hold each other down, we won't make it

“They’re tryna take away our art, how we supposed to earn? And express what’s in our heart, I beg you”
👍 1
×

In Britain, a popular and contentious form of music has emerged in UK Drill. The violence depicted in the lyrics has caused backlash from critics, and at one point involved videos being deleted by Youtube.

Many of UK Drill’s supporters argue that the music allows the artists a way of expressing themselves and the lives they live, and opens up opportunities to make money outside of gang related activities.

Fellow UK artists Krept and Konan released a short film on this same subject matter in June 2019, and even appeared in the UK Houses of Parliament to defend UK Drill.

“Mic in the basement Had a voice then we pirate the station”
👍 1
×

Kano and others such as Jammer, Wiley, Big H, Skepta, and many others were the original Grime artists in the early 2000’s. Due to not being accepted in the radio/music industry and even the established Garage scene, they ran pirate radio stations in basements and abandoned flats.

“Different whip, different chain, different bracelet”
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×

Black ancestors were subject to the whips and chains associated with slavery. Kano’s generation have different whips (cars) and different chains (jewellery).

“Landowner got keys here”
👍 -1
×

K-A is using the euphemism of keys to reference kilos of a drug. A landowner of their council estate has keys just as Kano is comparing it to being on road.

“They trap us in estates”
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By estates, kano means Council flats, affordable housing or Housing commission, these places are common in East London and often are forgotten by the government and become derelict and violent areas. By “trapping” these people in estates Kano is showing that the government offers no assistance to the people who live in these areas, therefore metaphorically “trapping” them in these Council estates.

“Get your paper but you don’t get complacent”
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Clean your buttocks after you shit, people. Nasty motherfuckers.

“Paper”, as in “P’s”, as in “Gold” or “Cheese” or “C.R.E.A.M”, it tends to breed greed. Greed makes you fearful. Fearful of what you may lose. Fear breeds division. Division causes hate.

“The system’s taking course and the most powerful are fraud”
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×

What is a system when the ones with power don’t even believe in in.

Times are changing, slowly, I suppose, but change has to be pushed forward, not waited for.

Each and every one of us has some responsibility on our shoulders.

So next time you see some next donny next to you, see him as a brother.

“Jerk man ’pon the streets ere Fish fry and get steam ere Rice with our gungo peas ere”
👍 0
×

Immigrant culture is here. It’s been here and it’s staying here.

Whatchu gon do about it posh boi???

sips chai

“Pardna”
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Pardna is a popular saving partnership between a group of people. It is a very common practice in the Caribbean, especially among low-income earners and in other countries where Afro-Caribbean communities may be found.

One individual is entrusted with managing the money and is called “the banker”. The other members – “the partners” – contribute a stipulated amount (called a “hand”) either weekly, fortnightly or on a monthly basis. Every week or month, each member receives the total amount (called the “draw”) contributed by all the partners.

“That might be the hook I could retire after Not like when Tyson sparks ya Like twisted fire starter”
👍 1
×

Mike Tyson famously had a ferocious hook, winning his first 19 matches by KO or stoppage, and beat Olympic boxer Michael Spinks in just 91 seconds to become the lineal champion in 1988. Spinks retired a month after this fight.

“Twisted fire starter” is from the chorus of Firestarter by British Electronic Dance group The Prodigy, perhaps one of their most famous songs. Certified Platinum in both the UK and New Zealand, it has generated millions of sales and would have secured a comfy retirement for the band.

“A million footsteps to make it here, woah, oh, oh It ain’t easy to just dry four hundred tears”
👍 0
×

Human history (the non white-washed, sugar-coated one) has a lot of disgusting things in it. A strong stomach is an absolute necessity if you are interested in the history of any “race” of peoples.

And everything leads onto the next. Past affects future.

“If we don’t hold each other down, we won’t make it If we don’t-”
👍 0
×

If we don’t stop thinking of shit in terms of ‘I’ and ‘Me’, and start thinking in terms of ‘us’ and ‘we’, I don’t think there is an end to hatred and suffering.

“Left a boy alone, forget some pussy and some plantain ’Cause of the sweet colour of our skin They wan throw banana skins at John Barnes’s”
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A common theme of the album that Kano picks up again here, is the struggle of the black man against racial abuse despite their personal accolades, achievements and successes.

Plantain is a dish generally made from cooking banana, popular in the Caribbean and Africa. Kano ties this in with the racist comparison between black people and monkeys.

In 1988, Jamaican-born Liverpool player John Barnes famously back heeled a banana peel off the pitch in a derby match against rival club Everton.

This kind of abuse was rife in football at the time, and indeed still occurs today.

“But my generation, times are a changing”
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Thanks to shit like Youtube, and colors, we good, still.

“Different feel but we still take the same shit”
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I suppose your diet and lifestyle would affect the quality and feel of the shits that you defecate, but name somebody whose shit doesn’t smell…

More figuratively though, racism is racism. Hate is hate. No matter the “race” of the one who is dishing it out, or the one on the receiving end.

Cultures and creeds and “races” and breeds of people have been mixing up and separating since the dawn of man. “Races” get created and destroyed. Xenophobia, however, seems to be everlasting…

“Lets talk about the day the wind was rushed up on the shore They promised us so much and then they left us to be poor Need superhero capes for the stuff our mum’s had to endure Just heading to the store, no blacks, no Irish and no dogs”
👍 4
×

The Empire Windrush was the first ship to bring Caribbean immigrants over to the UK in the late 1940’s. Those that came over after this in the 50s and 60s are referred to as the Windrush Generation.
They were promised opportunity and better education for their children and, as citizens of the British Empire, answered the call from the mother country to help with the postwar reconstruction. What they experienced was endemic racism, limited opportunities, substandard and hostile education for their children. It was common to see the sign at shops and places to rent: ‘No blacks, no Irish, no dogs’.

“Bare man a wear Clerks and collars We bring light but darkness follows So we cry then laugh tomorrow Dry your puddles”
👍 1
×

Even though people who grew up in the hood or the endz like Kano become more successful in their professional life (wearing clerk shoes and collared shirts) the darkness of discrimination still follows them.

“I worship bars and I’ll die a martyr”
👍 0
×
“They tell us to go fuckin’ back to our own country But they won’t even give us back our own countries”
👍 2
×

Listen, boys and girls, if anyone tells you to “go back to your own country”, tell them we are here to colonise these great lands.

We learnt that from them man.

“This ain’t for the culture, it’s for the connoisseur”
👍 0
×

“Do you fools LISTEN to music or do you skim through it?”

-Shawn Carter

Well I guess you’re here, so you must care…

“On my shoulder like I ain’t a soldier in this rarse ting, crarses”
👍 2
×

Kano is experiencing a crarsey situation, with people on his shoulder all the time. It’s as if they don’t realise he is a soldier and has been dealing with crarses from day.

“Eediat tell me ’bout grime ta rahtid Like my stripes ain’t Sharpie’d”
👍 2
×

A Sharpie is a brand of permanent marker pen, well used by graffiti artists and by production staff in the music industry – to label flight cases and mark stages, for example. Stripes on shoulder denote rank in the armed forces – this is a nod to the permanence of his high rank and status in the Grime scene.

“We fly back to spend G’s there Nuff lies told when we reach ere Dem meet the queen but we kings ere”
👍 0
×

After “making G’s ere” in London, Kano goes back to the country of his parents or grandparents to spend it. “First-world” countries such as England(where Kano is from) tout nations such as Jamaica, Ghana, or any majority-black countries as dangerous. He explains how England has a queen but the African nations where he is descended from has kings as well