Said just before a killer drop at 1:50 into the track, Jarr’s one line of dialogue on Metatron is peculiar, a cut off sentence that is concluded via the thump and bass of Darkside’s complex instrumentalism.

The title of the song alludes to Metatron, an archangel in Judaism. According to Jewish medieval stories, he is Enoch, ancestor of Noah, transformed into an angel. He is often cited as evidence of Enoch’s bodily ascension into heaven:

And Enoch walked with God: and he was not; for God took him."

Although he is mentioned in a few brief passages in the Talmud, Metatron appears primarily in medieval Jewish mystical texts. In Rabbinic tradition, he is the highest of the angels and serves as the celestial scribe.

Look deeper and we se that the song’s title is a word of two words: Meta is a prefix that is used to show a concept which is an obscurity from another concept, used to conclude or add to the latter.

Whereas Tron has science fiction connotations alluding to the famous sci-fi films and used as a suffix to describe somthing in a technical form aka Jumbotron.

The meaning therefore, could infer a digital concept, one that is completely different from a concept twinned to it. Is this a self-description of Darkside themselves? Comprised of an analog instrumentalist (Harrington) and a digital wizard (Jarr), Darkside in itself is a combination of two unattatched powers working cohesively to release material that sounds natural yet industrial, a self contradiction, a paradox, a Metatron.