Art Is Hard

By Cursive

On The Ugly Organ

Released on March 4, 2003

10K Views

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[Verse 1]

Cut it out

Your self-inflicted pain

Is getting too routine

The crowds are catching on

To the self-inflicted song

Well, here we go again

The art of acting weak

Fall in love to fail

To boost your CD sales

And that CD sells (Yeah, what a hit)

You've got to repeat it

You gotta sink to swim


[Chorus]

If at first you don't, you don't succeed

You gotta recreate your misery

'Cause we all know art is hard

Young artists have gotta starve

Try, and fail, and try again

The comforts of repetition

Keep churning out those hits

Till it's all the same old shit


[Verse 2]

Oh, a second verse!

Well, color me fatigued

I'm hiding in the leaves

In the CD jacket sleeves

Tired of entertaining

Some double-dipped meaning

A soft serve analogy

This drunken angry slur

In thirty-one flavors


[Bridge]

You gotta' sink, gotta sink

Gotta sink to swim

Immerse yourself in rejection

Regurgitate some sorry tale

About a boy who sells his love affairs

You gotta' fake, fake, fake the pain

You better make, make, make it sting

You're gonna' break, break, break a leg

When you get on stage

And they scream your name

"Oh, Cursive is so cool!"


[Outro]

("Oh, Cursive is so cool!")

You gotta' sink, gotta sink

Gotta sink to swim

Impersonate greater persons

'Cause we all know art is hard

When we don't know who we are

Hey, hey!

Hey, hey!

“You’ve got to repeat it You gotta sink to swim [Chorus] If at first you don’t, you don’t succeed You gotta recreate your misery ’Cause we all know art is hard”
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You have to keep pushing that proverbial “work” because that is what the fan’s want, even if they are hating.

“I’m hiding in the leaves In the CD jacket sleeves”
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Much like the rest of the song, this is tongue-and-cheek considering the notes for this album have a play of sorts in them with stage directions and characters. You don’t really learn more about the album in the album liner for this album, but the play format makes you feel like there should be something more that you’re missing.

“Tired of entertaining Some double-dipped meaning A soft serve analogy This drunken angry slur In thirty-one flavors”
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Baskin-Robbins, an ice cream chain whose tagline is “31 Flavors,” actually serves hard-packed ice cream, not soft-serve. “Double-dipped” here could mean two scoops, i.e. a double serving (hard-packed ice cream is also called “hand-dipped,” for the act of scooping). It also could mean double-dipped in a chocolate or candy coating, as soft-serve cones sometimes are.

This passage seems to deride lyrics that, like soft-serve ice cream, are cheap and popular among a broad audience, but uninspired, without substance, and unsatisfying for the artist.

He is tired of spitting the same shit again and again and trying to live the life he writes and express it in a different way.

“You gotta’ sink, gotta sink Gotta sink to swim Immerse yourself in rejection Regurgitate some sorry tale About a boy who sells his love affairs”
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Kasher also adds another line of meta introspection, how even this song is another attempt at selling his pain. However, instead of selling heartbreak, he sells the woes of being an artist who sells heartbreak.

“Oh, a second verse! Well, color me fatigued”
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Another comment on the laziness of the “routine” songwriting he’s preaching against. “I have to write ANOTHER verse? Forget it.”

““Oh, Cursive is so cool!””
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He hates that his band is cool based on the relationship aesthetic that he has created.

“Try, and fail, and try again The comforts of repetition”
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You got to try over, and over, and over again to succeed if you don’t the past couple of tries. You do it over and over again until you get comfy with the repetitive nature of your actions.

“Well, here we go again The art of acting weak Fall in love to fail To boost your CD sales And that CD sells (Yeah, what a hit)”
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Who cares about his sentiments, he knows this record sells, so he is willing to sacrifice his heart by falling in love, fucking it up and then writing music about it.

“Cut it out Your self-inflicted pain Is getting too routine The crowds are catching on To the self-inflicted song”
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The continuation of the critique of the state of indie music at the time.

The core meaning of the album is further concreted in these first few lines: indie music should be a celebration of diversity from the mainstream as well as other indie artists. However, the main character sees repetitious trends propagating throughout the music, causing it to be stagnant and unrelatable.

These trends are also prevalently themed throughout this album: the concept album, the pain of love lost, sensitivity in general: he is describing the growing popularity of “emo”.

At this time “emo”, originally a sub-genre of punk, was quickly gaining traction in the mainstream, causing acts such as My Chemical Romance, Fall Out Boy, and many others to glob onto the rising trend.

Cursive stops short of outright accusing these bands of “selling out”, because after all, nothing is more overdone in the underground music scene than accusing bands of selling out.

“You gotta’ sink, gotta sink Gotta sink to swim”
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You have to fail in order to succeed. These lyrics relate to the quote, “an arrow must be pulled back in order to be shot forwards.”