Released on September 14, 1993

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[Verse 1]

Take the way home that leads back to Sullivan Street

Cross the water and home through the town

Past the shadows that fall down wherever we meet

Pretty soon now, I won't come around


[Chorus]

I'm almost drowning in her sea

She's nearly fallen to her knees

Take the way home

Ba-ba-ba ba ba


[Verse 2]

Take the way home that leads back to Sullivan Street

Where all the bodies hang on the air

If she remembers, she hides it whenever we meet

Either way now, I don't really care

'Cause I'm gone from there


[Chorus]

I'm almost drowning in her sea

She's nearly crawlin' on her knees

She's down on her knees

Down on her knees


[Verse 3]

Take the way home that leads back to Sullivan Street

Where I'm just another rider burned to the ground

I come tumbling down


[Chorus]

I'm almost drowning in her sea

She's nearly crawlin' on her knees

It's almost everything I need


[Outro]

I'm down on my knees

I'm down on my knees

I'm down on, down on my knees

I'm down on my knees

I'm down on my knees

“Take the way home that leads back to Sullivan Street Cross the water and home through the town Past the shadows that fall down wherever we meet Pretty soon now, I won’t come around”
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The subject of the song, according to Adam Duritz:

“My last girlfriend, for the first month and a half that we were going out, her mother was living with her, and her mother’s very Catholic. We couldn’t spend the night together, so I was constantly making these drives in the middle of the night – very surreal, four in the morning, falling asleep. I really believed in the relationship, but when I was writing this song, the lyrics came out: "Pretty soon I won’t come around”. It wasn’t what I wanted – I didn’t want it to end – but there it was. It’s about the inevitability of leaving."

“Take the way home that leads back to Sullivan Street Where all the bodies hang on the air If she remembers, she hides it whenever we meet Either way now, I don’t really care ’Cause I’m gone from there”
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When he gets home, he is reminded of his past relationships and flings “bodies hang on the air”. He has had a lot of sexual encounters that she is aware of and it hurts her but she pretends it doesn’t. “If she remembers, she hides it whenever we meet”. Either way, he can’t care about her feelings because he isn’t going to stick around anyways

“I’m almost drowning in her sea She’s nearly fallen to her knees Take the way home”
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Duritz says that he’s, “Almost drowning in her sea”. This adds to the idea that he is overwhelmed by all of his surroundings, including the girl who he’s singing about.

“I’m almost drowning in her sea She’s nearly crawlin’ on her knees She’s down on her knees”
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Adam is on the verge of falling in love with her, we have some beautiful imagery of the overwhelming, encompassing nature of love being a sea that you drown in, or giving yourself entirely to your partner. But then, what underpins the relationship is the sexual, alluded to by her being “down on her knees” i.e. performing fellatio. We see that ultimately, there isn’t enough to make the relationship last